Sarah Gamble
Philadelphia, PA
Sarah Gamble, a Philadelphia artist originally from Charlotte, NC, received her MFA from The University of Pennsylvania and was a Pew Fellow in 2009. Her work has shown at (e)merge…
To visit the studio of Kim Anno, is to immerse yourself into a fluid environment. Anno, an internationally exhibited artist and chair of the painting department at the California College of the Arts, works in an interdisciplinary manner, blending painting, video and photography into a seamless body of work. She is also an avid environmental activist, combining science and visual art to investigate issues related to global warming and water risings. And water, being the eerily poignant signifier that it is, becomes the element that binds her work together. Her videos often feature specific objects immersed underwater, while spools of unfurling pigments wind through the image like expanding mushroom clouds. There is a meditative quality to the deceptively complex dance of elements that she directs. Often an accompanying soundtrack, both beautiful and unsettling, heightens this sense.While, Anno’s videos vacillate somewhere between painting and photography, her paintings are no exception.
Fluidly blurring the boundaries between these seemingly disparate mediums, Anno’s latest body of oil on aluminum paintings feels like something between abstract expressionism and a video still. Her paintings blend photographic images of popular waterside tourist sites with bold and seeping marks of transparent and opaque color. In this way she both references the representational image while breaking it down into a more elemental level. What she captures in these paintings is a distinct moment. The photographic images underneath, initially referencing specific locations Anno had visited or wanted to visit, are slowly dissolved by ominously swirling pigments.
The effect is that of a poison slowly and inevitably diffusing and thus destroying the underlying photograph even as it creates a new and disturbingly beautiful image.
“I paint on top of the photographic image of these places in an attempt to love them to death, to adorn them, and ultimately damage them. I…